




| Coordinates | 11°14′31″N74°12′19″N |
|---|---|
| {{infobox| bodyclass | geography |
| title | Caribbean |
| label1 | Area |
| data1 | |
| label2 | Land Area |
| data2 | |
| label3 | Population (2010) |
| data3 | 36,314,000 |
| label4 | Density |
| data4 | |
| label5 | Ethnic groups |
| data5 | Afro-Caribbean, Indo-Caribbean, Chinese Caribbean, Amerindians (Arawak, Caribs, Tainos), European |
| label6 | Demonym |
| data6 | West Indian, Caribbean person, Caribbean |
| label7 | Languages |
| data7 | Spanish, English, French, Dutch and many others |
| label8 | Government |
| data8 | 13 sovereign states17 dependent territories |
| label9 | Largest cities |
| data9 | Santo DomingoHavanaSantiago de los CaballerosPort-au-PrinceKingstonSantiago de CubaSan JuanHolguin |
| label10 | Internet TLD |
| data10 | Multiple |
| label11 | Calling code |
| data11 | Multiple |
| label12 | Time zone |
| data12 | UTC-5 to UTC-4 }} |
The Caribbean is a region consisting of the Caribbean Sea, its islands (most of which are enclosed by the sea), and the surrounding coasts. The region is located southeast of the Gulf of Mexico and North America, east of Central America, and to the north of South America.
Situated largely on the Caribbean Plate, the region comprises more than 7,000 islands, islets, reefs, and cays. These islands, called the West Indies, generally form island arcs that delineate the eastern and northern edges of the Caribbean Sea. These islands are called the ''West Indies'' because when Christopher Columbus landed there in 1492 he believed that he had reached to the west of The India (The Indian sub-continent).
The region consists of the Antilles, divided into the larger Greater Antilles which bound the sea on the north, the Lesser Antilles on the south and east (including the Leeward Antilles), the Bahamas, and the Turks and Caicos Islands or the Lucayan Archipelago, which are in fact in the Atlantic Ocean north of Cuba, not in the Caribbean Sea.
Geopolitically, the West Indies are usually regarded as a subregion of North America and are organized into 30 territories including sovereign states, overseas departments, and dependencies. From January 3, 1958, to May 31, 1962, there was a short-lived country called the Federation of the West Indies composed of ten English-speaking Caribbean territories, all of which were then UK dependencies. The West Indies cricket team continues to represent many of those nations.
The climate of the region is tropical but rainfall varies with elevation, size and water currents (cool upwellings keep the ABC islands arid). Warm, moist tradewinds blow consistently from the east creating rainforest/semidesert divisions on mountainous islands. Occasional northwesterlies affect the northern islands in the winter. The region enjoys year-round sunshine, divided into 'dry' and 'wet' seasons, with the last six months of the year being wetter than the first half.
The waters of the Caribbean Sea host large, migratory schools of fish, turtles, and coral reef formations. The Puerto Rico trench, located on the fringe of the Atlantic Ocean and Caribbean Sea just to the north of the island of Puerto Rico, is the deepest point in all of the Atlantic Ocean.
Hurricanes, which at times batter the region, usually strike northwards of Grenada, and to the west of Barbados. The principal hurricane belt arcs to northwest of the island of Barbados in the Eastern Caribbean.
The region sits in the line of several major shipping routes with the man-made Panama Canal connecting the western Caribbean Sea with the Pacific Ocean.
Greater Antilles
Lesser Antilles
All islands at some point were, and a few still are, colonies of European nations; a few are overseas or dependent territories:
The British West Indies were united by the United Kingdom into a West Indies Federation between 1958 and 1962. The independent countries formerly part of the B.W.I. still have a joint cricket team that competes in Test matches, One Day Internationals and Twenty20 Internationals. The West Indian cricket team includes the South American nation of Guyana, the only former British colony on that continent.
In addition, these countries share the University of the West Indies as a regional entity. The university consists of three main campuses in Jamaica, Barbados and Trinidad and Tobago, a smaller campus in the Bahamas and Resident Tutors in other contributing territories such as Trinidad.
For the fungi, there is a modern checklist based on nearly 90,000 records derived from specimens in reference collections, published accounts and field observations. That checklist includes more than 11250 species of fungi recorded from the region. As its authors note, the work is far from exhaustive, and it is likely that the true total number of fungal species already known from the Caribbean is higher. The true total number of fungal species occurring in the Caribbean, including species not yet recorded, is likely to be far higher, given the generally accepted estimate that only about 7% of all fungi worldwide have so far been discovered. Although the amount of available information is still very small, a first effort has been made to estimate the number of fungal species endemic to some Caribbean islands. For Cuba, 2200 species of fungi have been tentatively identified as possible endemics of the island; for Puerto Rico, the number is 789 species; for the Dominican Republic, the number is 699 species; for Trinidad and Tobago, the number is 407 species.
Many of the ecosystems of the Caribbean islands have been devastated by deforestation, pollution, and human encroachment. The arrival of the first humans is correlated with extinction of giant owls and dwarf ground sloths. The hotspot contains dozens of highly threatened animals (ranging from birds, to mammals and reptiles), fungi and plants. Examples of threatened animals include the Puerto Rican Amazon, two species of solenodon (giant shrews) in Cuba and the Hispaniola island, and the Cuban crocodile.
The region's coral reefs, which contain about 70 species of hard corals and between 500-700 species of reef-associated fishes have undergone rapid decline in ecosystem integrity in recent years, and are considered particularly vulnerable to global warming and ocean acidification.
The population is estimated to have reached 2.2 million by 1800. Immigrants from India, China, and other countries arrived in the 19th century. After the ending of the Atlantic slave trade, the population increased naturally. The total regional population was estimated at 37.5 million by 2000.
The majority of the Caribbean has populations of mainly Africans in the French Caribbean, Anglophone Caribbean and Dutch Caribbean, there are minorities of mixed-race and European peoples of Dutch, English, French, Italian and Portuguese ancestry. Asians, especially those of Chinese and Indian descent, form a significant minority in the region and also contribute to multiracial communities. All of their ancestors arrived in the 19th century as indentured laborers.
The Spanish-speaking Caribbean have primarily mixed race, African, or European majorities. Puerto Rico and Cuba (largest Caribbean island) have a European majority with a mixture of Spaniards–European, Amerindians, and some West African. One third of Cuba's population is of African descent, with a sizable Mulatto (mixed African–European) population. The Dominican Republic has a largely mixed majority who are primarily descended from West Africans and Spaniards, with some Amerindians.
Larger islands such as Jamaica, have a large African population in addition to a very large mixed race, Chinese, Europeans, Indian, Lebanese, Latin American, and Syrian populations. This is a result of years of importation of slaves and indentured labourers, and migration. Most multi-racial Jamaicans refer to themselves as either mixed race or simply Black. The situation is similar for the Caricom states of Guyana, Suriname and Trinidad and Tobago. Trinidad and Tobago has a multi-racial cosmopolitan society due to the arrival of the Africans, Indians, Chinese, Syrians, Lebanese, Native Amerindians and Europeans. This multi-racial mix has created sub-ethnicities that often straddle the boundaries of major ethnicities and include Chindian and Dougla.
Certain scholars have argued both for and against generalizing the political structures of the Caribbean. On the one hand the Caribbean states are politically diverse, ranging from communist systems such as Cuba toward more capitalist Westminster-style parliamentary systems as in the Commonwealth Caribbean. Other scholars argue that these differences are superficial, and that they tend to undermine commonalities in the various Caribbean states. Contemporary Caribbean systems seem to reflect a "blending of traditional and modern patterns, yielding hybrid systems that exhibit significant structural variations and divergent constitutional traditions yet ultimately appear to function in similar ways." The political systems of the Caribbean states share similar practices.
The influence of regionalism in the Caribbean is often marginalized. Some scholars believe that regionalism cannot not exist in the Caribbean because each small state is unique. On the other hand, scholars also suggest that there are commonalities amongst the Caribbean nations that suggest regionalism exists. "Proximity as well as historical ties among the Caribbean nations has led to cooperation as well as a desire for collective action." These attempts at regionalization reflect the nations' desires to compete in the international economic system.
Furthermore, a lack of interest from other major states promoted regionalism in the region. In recent years the Caribbean has suffered from a lack of U.S. interest. "With the end of the Cold War, U.S. security and economic interests have been focused on other areas. As a result there has been a significant reduction in U.S. aid and investment to the Caribbean." The lack of international support for these small, relatively poor states, helped regionalism prosper.
Following the Cold War another issue of importance in the Caribbean has been the reduced economic growth of some Caribbean States due to the United States and European Union's allegations of special treatment toward the region by each other.
During the US/EU dispute the United States imposed large tariffs on European Union goods (up to 100% on some imports) from the EU in order to pressure Europe to change the agreement with the Caribbean nations in favour of the Cotonou Agreement.
Farmers in the Caribbean have complained of their falling profits and rising costs as the Lomé Convention weakens. Some farmers have faced increased pressure to turn towards the cultivation of illegal drugs, which has a higher profit margin and fills the sizable demand for these illegal drugs in North America and Europe.
One of the most important associations that deal with regionalism amongst the nations of the Caribbean Basin has been the Association of Caribbean States (ACS). Proposed by CARICOM in 1992, the ACS soon won the support of the other countries of the region. It was founded in July 1994. The ACS maintains regionalism within the Caribbean on issues which are unique to the Caribbean Basin. Through coalition building, like the ACS and CARICOM, regionalism has become an undeniable part of the politics and economics of the Caribbean. The successes of region-building initiatives are still debated by scholars, yet regionalism remains prevalent throughout the Caribbean.
Geography:
Organisations:
Category:Biodiversity hotspots Category:Regions of the Americas
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| Coordinates | 11°14′31″N74°12′19″N |
|---|---|
| name | Howard Hughes |
| birth name | Howard Robard Hughes, Jr. |
| birth date | December 24, 1905 |
| birth place | Humble, Texas, US |
| death date | April 05, 1976 |
| death place | Houston, Texas, US |
| alma mater | Rice University (dropped out in 1924) |
| occupation | Chairman of Hughes Aircraft, businessman, investor, aviator, engineer, film producer, director, and philanthropist. |
| years active | 1926–1976 |
| spouse | (alleged) |
| net worth | USD $1.5 billion at the time of his death (approximately 1/1190th of US GNP) |
| signature | Howard Hughes signature.svg |
His parents were Allene Stone Gano (a descendant of Owen Tudor, second husband of Catherine of Valois, Dowager Queen of England) and Howard R. Hughes, Sr., who patented the two-cone roller bit, which allowed rotary drilling for petroleum in previously inaccessible places. Howard R. Hughes, Sr. made the shrewd and lucrative decision to commercialize the invention by leasing the bits instead of selling them, and founded the Hughes Tool Company in 1909.
Showing great aptitude in engineering at an early age, Hughes built Houston's first radio transmitter when he was 11 years old. At 12, he was photographed in the local newspaper as being the first boy in Houston to have a "motorized" bicycle, which he had built himself from parts taken from his father's steam engine. He was an indifferent student with a liking for mathematics, flying, and things mechanical, taking his first flying lesson at 14 and later auditing math and aeronautical engineering courses at Caltech.
Allene Hughes died in March 1922 from complications of an ectopic pregnancy. In January 1924, Howard Hughes Sr. died of a heart attack. Their deaths apparently inspired Hughes to include the creation of a medical research laboratory in his will that he signed in 1925, at age 19. Because Howard Sr.'s will had not been updated since Allene's death, Hughes inherited 75 percent of the family fortune. On his 19th birthday, Hughes was declared an emancipated minor, enabling him to take full control of his legacy.
Hughes was an outstanding and enthusiastic golfer from a young age, often scoring near par figures, and held a handicap of three during his twenties. He played frequently with top players, including Gene Sarazen. Hughes rarely played competitively, and gradually gave up his interest in the sport.
Hughes dropped out of Rice University shortly after his father's death. On June 1, 1925, he married Ella Botts Rice (1904–1992), daughter of David Rice and Martha Lawson Botts of Houston, Texas. They moved to Los Angeles, where he hoped to make a name for himself making movies.
Hughes' wife returned to Houston in 1929 and filed for divorce. Hughes dated many famous women, including Billie Dove, Bette Davis, Ava Gardner, Olivia de Havilland, Katharine Hepburn, Ginger Rogers and Gene Tierney. He also proposed to Joan Fontaine several times, according to her autobiography ''No Bed of Roses''. Bessie Love was a mistress during his first marriage. Jean Harlow accompanied him to the premiere of ''Hell's Angels'', but Noah Dietrich wrote many years later that the relationship was strictly professional—Hughes personally disliked Harlow. In his 1971 book, ''Howard: The Amazing Mr. Hughes'', Dietrich said that Hughes genuinely liked and respected Jane Russell but never sought romantic involvement with her. According to Russell's autobiography, however, Hughes once tried to bed her after a party. Russell (who was married at the time) refused him and Hughes promised it would never happen again. The two maintained a professional and private friendship for many years. Hughes remained good friends with Tierney who was quoted after his failed attempts to seduce her "I don't think Howard could love anything that did not have a motor in it." Later, when Tierney's daughter Daria was born deaf and blind and with severe mental retardation, due to Tierney's being exposed to rubella during her pregnancy, Hughes saw to it that Daria received the best medical care and paid all expenses.
On July 11, 1936, Hughes struck and killed a pedestrian named Gabriel S. Meyer with his car, at the corner of 3rd Street and Lorraine in Los Angeles. Although Hughes was certified as sober at the hospital to which he was taken after the accident, an attending doctor made a note that Hughes had been drinking. A witness to the accident told police that Hughes was driving erratically and too fast, and that Meyer had been standing in the safety zone of a streetcar stop. Hughes was booked on suspicion of negligent homicide and held overnight in jail until his attorney, Neil McCarthy, obtained a writ of habeas corpus for his release pending a Coroner's inquest. By the time of the coroner's inquiry, however, the witness had changed his story and claimed that Meyer had moved directly in front of Hughes's car. Nancy Bayly (Watts), who was in the car with Hughes at the time of the accident, corroborates this version. On July 16, 1936, Hughes was held blameless by a Coroner's jury at the inquest into Meyer's death. Hughes told reporters outside the inquiry, "I was driving slowly and a man stepped out of the darkness in front of me."
On January 12, 1957, Hughes married actress Jean Peters. The couple met in the 1940s, before Peters became a film actress. They had a highly publicized romance in 1947 and there was talk of marriage, but she said she could not combine it with her career. It was later claimed that Peters was "the only woman [Hughes] ever loved", and he reportedly had his security officers follow her everywhere even when they were not in a relationship. This was confirmed by actor Max Showalter, who became a close friend of Peters during shooting of ''Niagara'' (1953). Showalter told in an interview that because he frequently met with Peters, Hughes' men threatened to ruin his career if he did not leave her alone.
The H-1 Racer featured a number of design innovations: it had retractable landing gear (as Boeing Monomail had five years before) and all rivets and joints set flush into the body of the aircraft to reduce drag. The H-1 Racer is thought to have influenced the design of a number of World War II fighters such as the Mitsubishi Zero, the Focke-Wulf Fw 190 and the F8F Bearcat; although that has never been reliably confirmed. The H-1 Racer was donated to the Smithsonian in 1975 and is on display at the National Air and Space Museum.
On July 10, 1938, Hughes set another record by completing a flight around the world in just 91 hours (3 days, 19 hours), beating the previous record by more than four hours. Taking off from New York City, he continued to Paris, Moscow, Omsk, Yakutsk, Fairbanks, Minneapolis, and continued to New York City. For this flight he flew a Lockheed Super Electra (a twin-engine transport with a four-man crew) fitted with all of the latest radio and navigational equipment. Hughes wanted the flight to be a triumph of technology, illustrating that safe, long-distance air travel was possible. In 1938, the William P. Hobby Airport in Houston, Texas, known at the time as Houston Municipal Airport, was re-named Howard Hughes Airport, but the name was changed back after people objected to naming the airport after a living person.
He also had a participated in the design and financing of both the Boeing 307 Stratoliner and Lockheed L-049 Constellation.
Hughes received many awards as an aviator, including the Harmon Trophy in 1936 and 1938, the Collier Trophy in 1938, the Octave Chanute Award in 1940, and a special Congressional Gold Medal in 1939 "in recognition of the achievements of Howard Hughes in advancing the science of aviation and thus bringing great credit to his country throughout the world." According to his obituary in the ''New York Times'', Hughes never bothered to come to Washington to pick up the Congressional Gold Medal. It was eventually mailed to him by President Harry S. Truman.
Hughes was involved in a near-fatal aircraft accident on July 7, 1946, while piloting the experimental U.S. Army Air Force reconnaissance aircraft, the XF-11, over Los Angeles. An oil leak caused one of the contra-rotating propellers to reverse pitch, causing the aircraft to yaw sharply. Hughes tried to save the craft by landing it at the Los Angeles Country Club golf course, but just seconds before he could reach his attempted destination, the XF-11 started to drop dramatically and crashed in the Beverly Hills neighborhood surrounding the country club.
When the XF-11 finally came to a halt after destroying three houses, the fuel tanks exploded, setting fire to the aircraft and a nearby home at 808 North Whittier Drive, owned by Lt Col. Charles E. Meyer. Hughes managed to pull himself out of the flaming wreckage but lay beside the aircraft until he was rescued by Marine Master Sergeant William L. Durkin, who happened to be in the area visiting friends. Hughes sustained significant injuries in the crash, including a crushed collar bone, multiple cracked ribs, crushed chest with collapsed left lung, shifting his heart to the right side of the chest cavity, and numerous third-degree burns.
However, Hughes was proud that his mind was still working. As he lay in his hospital bed, he decided that he did not like the bed's design. He called in plant engineers to design a "tailor-made" bed, equipped with hot and cold running water, built in six sections, and operated by 30 electric motors, with push-button adjustments.
Many attribute his long-term addiction to opiates to his use of codeine as a painkiller during his convalescence. The trademark mustache he wore afterward was used to hide a scar on his upper lip resulting from the accident.
The Hughes H-4 Hercules was originally contracted by the U.S. government for use during World War II to transport troops and equipment across the Atlantic as an alternative to sea-going troop transport ships that were vulnerable to German U-boats. However the aircraft was not completed until after the end of World War II. The concept for the Hercules was originally conceived by industrialist Henry J. Kaiser, who teamed with Hughes to build the aircraft.
The Hercules was the world's largest flying boat, the largest aircraft made from wood, and, at , had the longest wingspan of any aircraft (the next largest wingspan is about shorter). (The Hercules is no longer the longest or heaviest aircraft ever built; both of those titles are currently held by the Antonov An-225).
The Hercules flew only once for one mile (1.6 km), and 70 feet (21m) above the water, with Hughes at the controls, on November 2, 1947.
The Hercules was nicknamed the "Spruce Goose" by critics, but was actually made largely from birch (not from spruce), rather than of aluminum, because the contract required the aircraft to be built of "non-strategic materials." It was built in Hughes's Westchester, California facility. Howard Hughes was summoned to testify before the Senate War Investigating Committee to explain why the aircraft had not been delivered to the United States Army Air Forces during the war, but the committee disbanded without releasing a final report. The aircraft was moved to McMinnville, Oregon, where it is now part of the Evergreen Aviation Museum.
In 1948, Hughes created a new division of the company, the Hughes Aerospace Group. The Hughes Space and Communications Group and the Hughes Space Systems Division were later spun off in 1948 to form their own divisions and ultimately became the Hughes Space and Communications Company in 1961. In 1953, Howard Hughes gave all his stock in the Hughes Aircraft Company to the newly formed Howard Hughes Medical Institute, thereby turning the aerospace and defense contractor into a tax-exempt charitable organization. The Howard Hughes Medical Institute sold Hughes Aircraft in 1985 to General Motors for US$5.2 billion. In 1997, General Motors sold Hughes Aircraft to Raytheon and in 2000, sold Hughes Space & Communications to Boeing. A combination of Boeing, GM and Raytheon acquired the Hughes Research Laboratories.
In 1956, Hughes placed an order for 63 Convair 880s for TWA at a cost of US$400 million. Although Hughes was extremely wealthy at this time, outside creditors demanded that Hughes relinquish control of TWA in return for providing the money. In 1960, Hughes was ultimately forced out of TWA, although he owned 78% of the company and battled to regain control.
Before Hughes' removal, the TWA jet financing issue precipitated the end of Hughes' relationship with Noah Dietrich. Dietrich claimed Hughes developed a plan by which Hughes Tool Company profits were to be inflated in order to sell the company for a windfall that would pay the bills for the 880s. Dietrich agreed to go to Texas to implement the plan on the condition that Hughes agreed to a capital gains arrangement he had long promised Dietrich. When Hughes balked, Dietrich resigned immediately. "Noah," Dietrich quoted Hughes as replying, "I cannot exist without you!" Dietrich stood firm and eventually had to sue to retrieve personal possessions from his office after Hughes ordered it locked.
In 1966, Hughes was forced by a U.S. federal court to sell his shares in TWA because of concerns over conflict of interest between his ownership of both TWA and Hughes Aircraft. The sale of his TWA shares netted him a profit of US$547 million. During the 1970s, Hughes went back into the airline business, buying the airline Air West and renaming it Hughes Airwest.
Hughes sold the RKO theaters in 1953 as settlement of the ''United States v. Paramount Pictures, Inc.'' antitrust case. With the sale of the profitable theaters, the shaky status of the film studio became increasingly apparent. A steady stream of lawsuits from RKO's minority shareholders, charging him with financial misconduct and corporate mismanagement, became an increasing nuisance, especially because Hughes wanted to focus on his aircraft-manufacturing and TWA holdings during the Korean War years. Eager to be rid of the distraction, Hughes offered to buy out all other stockholders.
By the end of 1954, at a cost of nearly US$24 million, he had gained near total control of RKO, becoming the closest thing to a sole owner of a Hollywood studio seen in three decades. Six months later, Hughes sold the studio to the General Tire and Rubber Company for US$25 million. Hughes retained the rights to pictures he had personally produced, including those made at RKO. He also retained Jane Russell's contract. For Howard Hughes, this was the virtual end of his 25-year involvement in motion pictures; though he had all but destroyed a major Hollywood studio, his reputation as a financial wizard emerged unscathed. He reportedly walked away from RKO having made US$6.5 million in personal profit.
General Tire was interested mainly in exploiting the value of the RKO library for television programming, though it made some attempts to continue producing films. After a year and a half of mixed success, General Tire shut down film production at RKO for good at the end of January 1957. The studio lots in Hollywood and Culver City were sold to Desilu Productions later that year for US$6.15 million.
The deal was the topic of a protracted legal battle between Hughes and the Internal Revenue Service, which Hughes ultimately won. After his death in 1976, many thought that the balance of Hughes' estate would go to the institute, although it was ultimately divided among his cousins and other heirs, given the lack of a will to the contrary. The HHMI was the 4th largest private organization as of 2007 and the largest devoted to biological and medical research, with an endowment of US$16.3 billion as of June 2007.
In late 1971, Donald Nixon was collecting intelligence for his brother in preparation for the upcoming presidential election. One of Donald's sources was John H. Meier, a former business adviser of Hughes who had also worked with Democratic National Chairman Larry O'Brien.
However, Meier conspired with former Vice President of the United States, Hubert Humphrey, and others to feed disinformation to the Nixon campaign. Meier told Donald that he was sure the Democrats would win the election because Larry O’Brien had a great deal of information on Richard Nixon’s illicit dealings with Hughes that had never been released; (O’Brien didn’t actually have any such information, but Meier wanted Nixon to think he did.) Donald told his brother that O’Brien was in possession of damaging information that could destroy his campaign.
However, during the recovery a mechanical failure in the ship's grapple caused half of the submarine to break off and fall to the ocean floor. This section is believed to have held many of the most sought-after items, including its code book and nuclear missiles. Two nuclear-tipped torpedoes and some cryptographic machines were recovered, along with the bodies of six Soviet submariners who were subsequently given formal burial at sea in a filmed ceremony. The operation, known as Project Azorian (but incorrectly referred to by the press as Project Jennifer), became public in February 1975 because burglars had obtained secret documents from Hughes' headquarters in June 1974. Though he lent his name to the operation, Hughes and his companies had no actual involvement in the project.
While directing ''The Outlaw'', Hughes became fixated on a minor flaw in one of Jane Russell's blouses, claiming that the fabric bunched up along a seam and gave the appearance of two nipples on each breast. He was reportedly so upset by the matter that he wrote a detailed memorandum to the crew on how to fix the problem. Richard Fleischer, who directed ''His Kind of Woman'' with Hughes as executive producer, wrote at length in his autobiography about the difficulty of dealing with the tycoon. In his book, ''Just Tell Me When to Cry'', Fleischer explained that Hughes was fixated on trivial details and was alternately indecisive and obstinate. He also revealed that Hughes' unpredictable mood swings made him wonder if the film would ever be completed.
In December 1947, Hughes told his aides that he wanted to screen some movies at a film studio near his home. Hughes stayed in the studio's darkened screening room for more than four months, never leaving. He subsisted exclusively on chocolate bars and milk, and relieved himself in the empty bottles and containers. He was surrounded by dozens of Kleenex boxes, which he continuously stacked and re-arranged. He wrote detailed memos to his aides on yellow legal pads giving them explicit instructions not to look at him, to respond when spoken to, but otherwise not speak to him. Throughout this period, Hughes sat fixated in his chair, often naked, continuously watching movies, reel after reel, day after day. When he finally emerged in the spring of 1948, his hygiene was terrible, as he had not bathed or cut his hair and nails for weeks. The Screening Room was located at Sunset Blvd. and Doheny Drive in Los Angeles, it was owned by Martin Nosseck and it was called, "Martin Nosseck Projection Theatre." Martin Nosseck was the full time projectionist for Hughes during that time.
After the screening room incident, Hughes moved into a bungalow at the Beverly Hills Hotel. He also rented out several other rooms for his aides, his wife, and his numerous girlfriends. His erratic behavior continued, however, as he would sit naked in his bedroom with a pink hotel napkin placed over his genitals, watching movies. In one year, he spent an estimated $11 million at the hotel.
In a bout of obsession with his home state, Hughes began purchasing all restaurant chains and four star hotels that had been founded within the borders of Texas. This included, if for only a short period, many unknown franchises currently out of business. Ownership of the restaurants was placed in the hands of the Howard Hughes Medical Institute and all licenses were resold shortly after.
Another time, he became obsessed with the 1968 film ''Ice Station Zebra'' and had it running on a continuous loop in his home. According to his aides, he watched it 150 times.
Hughes insisted on using tissues to pick up objects, so that he could insulate himself from germs. He would also notice dust, stains or other imperfections on people's clothes and demand that they take care of it.
Once one of the most visible men in America, Hughes ultimately vanished from public view, although the tabloids continued to follow rumors of his behavior and whereabouts. He was reported to be terminally ill, mentally unstable or even dead.
As a result of numerous plane crashes, Hughes spent much of his later life in pain, eventually becoming severely addicted to codeine, which he injected intramuscularly. Hughes only had his hair cut and nails trimmed once a year. He may have been in severe chronic pain from his extensive injuries, so much so that even the act of tooth brushing was painful, so he avoided it.
A retrospective case study suggests that Hughes' drug situation is more reminiscent of "pseudoaddiction" than true addiction; he suffered chronic pain and used narcotic medicine to control it. He did not inject it intravenously for immediate effect, rather, he injected it into muscle, where it would have more of an effect on pain, however it should be noted that codeine, when injected intravenously, leads to life threatening symptoms and is not by any means a safe route of administration, under any circumstance. He did not use tobacco or other drugs, and rarely consumed alcohol. He used diazepam to control the symptoms of withdrawal when he had not taken enough codeine. At the time, the field of pain management was small and there were few options for long-term pain control. As codeine is a relatively weak narcotic, his pain was probably not controlled effectively.
Toward the end of his life, his inner circle was largely composed of Mormons, as they were the only people he considered trustworthy, even though Hughes himself was not a member of their church.
On November 24, 1966 (Thanksgiving Day), Hughes arrived in Las Vegas by railroad car and moved into the Desert Inn. Because he refused to leave the hotel and to avoid further conflicts with the owners of the hotel, Hughes bought the Desert Inn in early 1967. The hotel's eighth floor became the nerve center of his empire and the ninth-floor penthouse became Hughes' personal residence. Between 1966 and 1968, Hughes bought several other hotels/casinos such as the Castaways, New Frontier, The Landmark Hotel and Casino, and the Sands. He bought the small Silver Slipper casino only to reposition the hotel's trademark neon silver slipper, visible from Hughes bedroom, which apparently had been keeping him up at night. An unusual incident marked an earlier Hughes connection to Las Vegas: during his 1954 engagement at the Last Frontier hotel in Las Vegas, flamboyant entertainer Liberace mistook Howard Hughes for his lighting director, instructing him to instantly bring up a blue light should he start to play ''Clair de lune''. Hughes nodded in compliance. Then the hotel's entertainment director arrived to properly introduce Hughes to Liberace.
Hughes wanted to change the image of Las Vegas to something more glamorous than it was. As Hughes wrote in a memo to an aide, "I like to think of Las Vegas in terms of a well-dressed man in a dinner jacket and a beautifully jeweled and furred female getting out of an expensive car." Hughes bought several local television stations (including KLAS-TV).
Hughes' considerable business holdings were overseen by a small panel unofficially dubbed "The Mormon Mafia" because of the many Latter-day Saints on the committee. In addition to supervising day-to-day business operations and Hughes' health, they also went to great pains to satisfy Hughes' every whim. Hughes once became fond of Baskin-Robbins' Banana Ripple ice cream, so his aides sought to secure a bulk shipment for him—only to discover that Baskin-Robbins had discontinued the flavor. They put in a request for the smallest amount the company could provide for a special order, 200 gallons (750 L), and had it shipped from Los Angeles. A few days after the order arrived, Hughes announced he was tired of Banana Ripple and wanted only Chocolate Marshmallow ice cream. The Desert Inn ended up distributing free Banana Ripple ice cream to casino customers for a year. In a 1996 interview, ex-Howard Hughes communicator Robert Maheu said "There is a rumor that there is still some Banana Ripple ice cream left in the freezer. It is most likely true."
As an owner of several major businesses in Las Vegas, Hughes wielded enormous political and economic influence in Nevada and elsewhere. During the 1960s and early 1970s, Hughes disapproved of the underground nuclear testing taking place at the Nevada Test Site. Hughes was concerned about the risk posed by the residual nuclear radiation from the tests, and so attempted to halt the tests. When the tests finally went through despite Hughes' efforts, the detonations were powerful enough that the entire hotel in which he was staying trembled with the shock waves. In two separate, last-ditch maneuvers, Hughes instructed his representatives to offer million-dollar bribes to both presidents Lyndon B. Johnson and Richard Nixon. His aides, however, never offered the bribes, instead reporting to Hughes that Johnson declined the offer and they were unable to contact Nixon.
In 1971, Jean Peters filed for divorce; the two had not lived together for many years. Peters requested a lifetime alimony payment of US$70,000 a year, adjusted for inflation, and waived all claims to Hughes' estate. Hughes offered her a settlement of over a million dollars, but she declined it. Hughes did not insist upon a confidentiality agreement from Peters as a condition of the divorce; aides reported that Hughes never spoke ill of her. She refused to discuss her life with Hughes and declined several lucrative offers from publishers and biographers. Peters would state only that she had not seen Hughes for several years before their divorce and had only dealt with him by phone.
Hughes was living in the Intercontinental Hotel near Lake Managua in Nicaragua, seeking privacy and security, when a magnitude 6.5 earthquake damaged Managua in December 1972. As a precaution, Hughes moved to the Nicaraguan National Palace and stayed there as a guest of Anastasio Somoza Debayle before leaving for Florida on a private jet the following day. He subsequently moved into the Penthouse at the Xanadu Princess Resort on Grand Bahama Island, which he had recently purchased. He lived almost exclusively in the penthouse of the Xanadu Beach Resort & Marina for the last four years of his life. Hughes had spent a total of US$300 million on his many properties in Las Vegas.
A subsequent autopsy noted kidney failure as the cause of death. Hughes was in extremely poor physical condition at the time of his death. He suffered from malnutrition. While his kidneys were damaged, his other internal organs, including his brain, were deemed perfectly healthy. X-rays revealed five broken-off hypodermic needles in the flesh of his arms. To inject codeine into his muscles, Hughes used glass syringes with metal needles that easily became detached.
Hughes is buried in the Glenwood Cemetery in Houston, Texas, next to his parents.
A further US$156 million was endowed to a gas-station owner named Melvin Dummar. Dummar told reporters that late one evening in December 1967, he found a disheveled and dirty man lying along U.S. Highway 95, north of Las Vegas. The man asked for a ride to Las Vegas. Dropping him off at the Sands Hotel, Dummar said the man told him he was Hughes. Dummar then claimed that days after Hughes's death, a "mysterious man" appeared at his gas station, leaving an envelope containing the will on his desk. Unsure if the will was genuine, and unsure of what to do, Dummar left the will at the LDS Church office. In a trial lasting seven months, the Mormon Will was eventually rejected by the Nevada court in June 1978 as a forgery. The court declared that Hughes had died intestate.
Hughes' US$2.5 billion estate was eventually split in 1983 among 22 cousins, including William Lummis who serves as a trustee of the Howard Hughes Medical Institute. Dummar was largely discounted by the public as a phony and an opportunist. Jonathan Demme's film ''Melvin and Howard'' (starring Jason Robards and Paul Le Mat), was based on Dummar's tale.
The U.S. Supreme Court ruled that Hughes Aircraft was owned by the Howard Hughes Medical Institute, which sold it to General Motors in 1985 for US$5.2 billion. Suits brought by the states of California and Texas claiming they were owed inheritance tax were both rejected by the court. In 1984, Hughes's estate paid an undisclosed amount to Terry Moore, who claimed to have been secretly married to Hughes on a yacht in international waters off Mexico in 1949 and never divorced. Although Moore never produced proof of a marriage, her book, ''The Beauty and the Billionaire'', became a bestseller.
Category:1905 births Category:1976 deaths Category:American aerospace designers Category:American aerospace engineers Category:American aviators Category:American billionaires Category:American aviation businesspeople Category:American manufacturing businesspeople Category:American film directors Category:American film producers Category:American film studio executives Category:American people of Welsh descent Category:American hoteliers Category:American philanthropists Category:Aviation inventors Category:Businesspeople in aviation Category:California Republicans Category:Collier Trophy recipients Category:Congressional Gold Medal recipients Category:Deaths by starvation Category:People who died on aircraft in mid-flight Category:Deaths from renal failure Category:English-language film directors Category:History of Las Vegas, Nevada Category:Hypochondriacs Category:People from Houston, Texas Category:People from Ventura County, California Category:Rice University alumni Category:Texas Republicans Category:Trans World Airlines Category:Watergate figures
af:Howard Hughes ar:هوارد هيوز bg:Хауърд Хюз ca:Howard Hughes cs:Howard Hughes da:Howard Hughes de:Howard Hughes el:Χάουαρντ Χιουζ es:Howard Hughes fa:هوارد هیوز fr:Howard Hughes fy:Howard Hughes gl:Howard Hughes hr:Howard Hughes id:Howard Hughes it:Howard Hughes he:הווארד יוז lv:Hovards Hjūzs lb:Howard Hughes hu:Howard Hughes ms:Howard Hughes nl:Howard Hughes ja:ハワード・ヒューズ no:Howard Hughes pl:Howard Hughes pt:Howard Hughes ro:Howard Hughes ru:Хьюз, Говард simple:Howard Hughes fi:Howard Hughes sv:Howard Hughes tg:Ҳовард Ҳюз tr:Howard Hughes zh:霍华德·休斯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Coordinates | 11°14′31″N74°12′19″N |
|---|---|
| name | Bill Evans |
| background | non_vocal_instrumentalist |
| birth name | William John Evans |
| born | August 16, 1929Plainfield, New Jersey, United States |
| died | September 15, 1980Fort Lee, New JerseyUnited States |
| instrument | Vocals, violin, guitar |
| born | August 16, 1929 |
| died | September 15, 1980 |
| instrument | Piano |
| genre | Jazz, modal jazz, third stream, cool jazz, post-bop |
| occupation | PianistComposerArranger |
| years active | 1950s–1980 |
| label | Riverside, Verve, Fantasy |
| associated acts | George Russell, Miles Davis, Cannonball Adderley, Philly Joe Jones, Scott LaFaro, Paul Motian, Eddie Gomez, Marty Morell, Tony Bennett, Jim Hall |
| notable instruments | }} |
Evans is an inductee of the ''Down Beat'' Jazz Hall of Fame.
At age 12, Evans filled in for his older brother Harry in Buddy Valentino's band. At this age he was able to interpret classical music, but he couldn't improvise. In the beginning, he played exactly what was written in the sheet, but soon started trying to improvise, while learning about harmonies in the songs and how to alter them. Meanwhile, he was playing dance music (and jazz) at home. In the late 1940s, Evans played boogie woogie in various New York City clubs. He attended Southeastern Louisiana University on a music scholarship, and in 1950 performed Beethoven's Third Piano Concerto on his senior recital there, graduating with a degree in piano performance and teaching. He was also among the founding members of SLU's Delta Omega Chapter of Phi Mu Alpha Sinfonia, and played quarterback for the fraternity's football team, helping them win the school's 1949 intramural tournament.
Evans's first professional job was with sax player Herbie Fields's band, based in Chicago. During the summer of 1950, the band did a three-month tour backing Billie Holiday, including East Coast appearances at Harlem's Apollo Theater and shows in Philadelphia, Baltimore, and at Washington D.C.'s Howard Theater. In addition to Fields and Evans, the band included trumpeter Jimmy Nottingham, trombonist Frank Rosolino and bassist Jim Aton. Upon its return to Chicago, Evans and Aton worked as a duo in Chicago clubs, often backing singer Lurlean Hunter. Shortly thereafter, Evans received his draft notice and entered the U.S. Army.
After his army service, Evans returned to New York and worked at nightclubs with jazz clarinetist Tony Scott and other leading players. Later, he took postgraduate studies in composition at the Mannes College of Music, where he also mentored younger music students.
In 1958, Evans was hired by Miles Davis, becoming the only white member of Davis's famed sextet. Though his time with the band was brief (no more than eight months), it was one of the most fruitful collaborations in the history of jazz, as Evans's introspective scalar approach to improvisation deeply influenced Davis's style. Davis wrote in his autobiography, "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got, was like crystal notes or sparkling water cascading down from some clear waterfall." Additionally, Davis said, "I've sure learned a lot from Bill Evans. He plays the piano the way it should be played."
Evans's desire to pursue his own projects as a leader (and increasing problems with drug use) led him to leave the Davis sextet in late 1958. Shortly after, he recorded ''Everybody Digs Bill Evans'', documenting the wholly original meditative sound he was exploring at the time. But Evans came back to the sextet at Davis's request to record the jazz classic ''Kind of Blue'' in early 1959. Evans's contribution to the album was overlooked for years; in addition to cowriting the song "Blue in Green", he had also already developed the ostinato figure from the track "Flamenco Sketches" on the 1958 solo recording "Peace Piece" from his album ''Everybody Digs Bill Evans''. Evans also penned the heralded liner notes for ''Kind of Blue'' comparing jazz improvisation to Japanese visual art. By the fall of 1959, he had started his own trio.
In addition to introducing a new freedom of interplay within the piano trio, Evans began (in performances such as "My Foolish Heart" from the Vanguard sessions) to explore extremely slow ballad tempos and quiet volume levels, which had been virtually unknown in jazz. His chordal voicings became more impressionistic, reminiscent of classical composers such as Debussy, Ravel, Scriabin, and Satie, and he moved away from the thick block chords he had often used with Davis. His sparse left-hand voicings supported his lyrical right-hand lines, reflecting the influence of jazz pianist Bud Powell.
Like Davis, Evans was a pioneer of modal jazz, favoring harmonies that helped avoid some of the idioms of bebop and other earlier jazz. In tunes like ''Time Remembered'', the chord changes more or less absorbed the derivative styles of bebop and instead relied on unexpected shifts in color. It was still possible (and desirable) to make these changes swing, and a certain spontaneity appeared in expert solos that were played over the new sound. Most composers refer to the style of ''Time Remembered'' as "plateau modal," because of its frequent juxtaposition of harmony.
LaFaro's death at age 25 in a car accident, ten days after the Vanguard performances, devastated Evans. He did not record or perform in public again for several months. His first recording after LaFaro's death was the duet album ''Undercurrent'', with guitarist Jim Hall, released on United Artist Jazz records in 1963. Recorded in two sessions on April 24 and May 14, 1962, it is now widely regarded as a classic jazz piano-guitar duet recording. The album is also notable for its striking cover image, "Weeki Wachee Spring, Florida" by photographer Toni Frissell. The original LP and the first CD reissue featured a cropped, blue-tinted version, overlaid with the title and the Blue Note logo; but for the most recent (24-bit remastered) CD reissue, the image has been restored to its original black-and-white coloration and size, without lettering.
When he re-formed his trio in 1962, Evans replaced LaFaro with bassist Chuck Israels, initially keeping Motian on the drums. Two albums, ''Moon Beams'' and ''How My Heart Sings!'', resulted. In 1963, after having switched from Riverside to the much more widely distributed Verve, he recorded ''Conversations With Myself'', an innovative album on which he employed overdubbing, layering up to three individual tracks of piano for each song. The album won him his first Grammy award, for Best Instrumental Jazz Performance — Soloist or Small Group.
Though his time with Verve was prolific in terms of recording, his artistic output was uneven. Despite Israels's fast development and the creativity of new drummer Grady Tate, they were ill-represented by the rather perfunctory album ''Bill Evans Trio with Symphony Orchestra'', with the piece ''Pavane'' by Gabriel Fauré remarkably reinvented with improvisations by Evans. Some unique contexts were attempted, such as a big-band live album at Town Hall, recorded but never issued due to Evans's dissatisfaction with it (although the jazz trio portion of the Pavane concert was made into its own somewhat successful release), and an album with a symphony orchestra, not warmly received by critics.
During this time, Helen Keane, Evans's manager, began having an important influence. One of the first women in her field, she significantly helped to maintain the progress (or prevent the deterioration) of Evans's career in spite of his self-destructive lifestyle.
In 1966, Evans discovered the remarkable young Puerto Rican bass player Eddie Gomez. In what turned out to be an eleven-year stay, the sensitive and creative Gomez sparked new developments in both Evans's playing and his trio conception. One of the most significant releases during this period is ''Bill Evans at the Montreux Jazz Festival'', from 1968. Although it was the only album Evans made with drummer Jack DeJohnette, it has remained a critical and fan favorite, due to the trio's remarkable energy and interplay.
Other highlights from this period include "Solo — In Memory of His Father" from ''Bill Evans at Town Hall'' (1966), which introduced the famous theme "Turn Out the Stars," a second successful pairing with guitarist Jim Hall; ''Intermodulation'' (1966); and the subdued, crystalline solo album ''Alone'' (1968), featuring a 14-minute-plus version of "Never Let Me Go".
In 1974, Bill Evans recorded a multimovement jazz concerto specifically written for him by Claus Ogerman entitled ''Symbiosis'', originally released on the MPS Records label. The 1970s also saw Evans collaborate with the singer Tony Bennett on 1975's ''The Tony Bennett/Bill Evans Album'' and 1977's ''Together Again''.
On September 13, 1975, Evans's son, Evan, was born. Evan Evans did not often see his always-touring father. A child prodigy, he embarked on a career in film scoring, ambitiously attending college courses in 20th-century composition, instrumentation, and electronic composition at the age of ten. He also studied with many of his father's contemporaries, including Lalo Schifrin and harmony specialist Bernard Maury.
In 1976, Marty Morell was replaced on drums by Eliot Zigmund. Several interesting collaborations followed, and it was not until 1977 that the trio was able to record an album together. Both ''I Will Say Goodbye'' (Evans's last album for Fantasy Records) and ''You Must Believe in Spring'' (for Warner Bros., released posthumously) highlighted changes that would become significant in the last stage of Evans's career. A greater emphasis was placed on group improvisation and interaction, Evans was reaching new expressive heights in his soloing, and new experiments with harmony and keys were attempted.
Gomez and Zigmund left Evans in 1978. Evans then asked Philly Joe Jones, the drummer he considered his "all-time favorite drummer" and with whom he had recorded his second album in 1957, to fill in. Several bassists were tried, with the remarkable Michael Moore staying the longest. Evans finally settled on Marc Johnson on bass and Joe LaBarbera on drums. This trio was Evans's last. Although they released only one record before Evans's death in 1980 (''The Paris Concert,'' Edition One and Edition Two, 1979), they rivaled (and arguably exceeded) the first trio in their powerful group interactions. Evans stated that this was possibly his best trio, a claim supported by the many recordings that have since surfaced, each documenting the remarkable musical journey of his final year. The Debussy like impressionism of the first trio had given way to a dark and urgent yet undeniably compelling, deeply moving (if not mesmerizing) romantic expressionism.
Evans's Rusyn ancestry is sometimes confused with a "Russian" ethnic background. His music reflects Russian titans like the Rachmaninoffesque pianism of his brooding constructions and the Shostakovich-like "Danse Macabre" modal explorations of "Nardis", the piece he reworked each time it served as the finale of his performances. But the "anticipatory meter" that Evans deliberately perfected with his last trio reflects late Ravel, especially the controversial second half of the French composer's dark and turbulent ''La Valse''. The recording documenting Evans's playing during the week preceding his death is the valedictory "The Last Waltz." Many albums and compilations have been released in recent years, including three multidisc boxed sets: ''Turn Out the Stars'' (Warner Bros.), ''The Last Waltz'', and ''Consecration''. The Warner Bros. set is a selection of material from Evans's final residency at New York's Village Vanguard club, nearly two decades after his classic performances there with the La Faro/Motian trio; the other two are drawn from his performances at San Francisco's Keystone Korner the week before his death. A particularly revealing comparison of early and late Evans (1966, 1980) is a 2007 DVD of two previously unreleased telecasts, ''The Oslo Concerts''.
Evans's work continues to influence pianists, guitarists, composers, and interpreters of jazz music around the world. Many of his tunes, such as "Waltz for Debby", "Turn Out the Stars," "Very Early," and "Funkallero," have become often-recorded jazz standards. Many tribute recordings featuring his compositions and favorite tunes have been released in the years following his passing (see below) as well as tribute compositions. Pat Metheny's "September 15th" is one such recording. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award.
Category:Third Stream pianists Category:1929 births Category:1980 deaths Category:Post-bop pianists Category:American jazz pianists Category:Deaths from cirrhosis Category:Cool jazz pianists Category:Hard bop pianists Category:Jazz bandleaders Category:Jazz composers Category:Miles Davis Category:Musicians from New Jersey Category:People from Fort Lee, New Jersey Category:People from North Plainfield, New Jersey Category:People from Plainfield, New Jersey Category:American people of Welsh descent Category:American people of Rusyn descent Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Verve Records artists Category:Riverside Records artists Category:Milestone Records artists Category:Concord Records artists Category:Fantasy Records artists Category:Warner Bros. Records artists
be:Біл Эванс cs:Bill Evans da:Bill Evans de:Bill Evans (Pianist) es:Bill Evans (pianista) fa:بیل اونس fr:Bill Evans (pianiste) gl:Bill Evans id:Bill Evans it:Bill Evans (pianista) he:ביל אוונס nl:Bill Evans (pianist) ja:ビル・エヴァンス no:Bill Evans (pianist) nn:Bill Evans pl:Bill Evans pt:Bill Evans ru:Эванс, Билл (пианист) sc:Bill Evans simple:Bill Evans sr:Бил Еванс fi:Bill Evans sv:Bill Evans th:บิล อีแวนส์ uk:Білл Еванс zh:比爾·艾文斯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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